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- I$ N' G# q, f3 N6 I; @, [LIFE in the 20s
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/ s- l' g) A& s; J* S1 t$ zViktoriya Sasonkina by Steven Meisel
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wenen, Danseres Lulu Mirskeija carnaval Wenen 1928 by janwillemsen on Flickr. Via Flickr:
4 N3 `, |5 ^% N( N  B& Ofoto uit Spaarnestadarchief, tijdschrift Het leven" n) Y8 X: f% j1 U) N
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! J0 h: V! \0 r) V+ L( v/ l(via Happy Birthday Marvin Gaye )% S' N& T* t. M3 u
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, n7 ]2 {2 b3 e- @( OSolar shower, 1966 by Leonid Yablonsky
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; C& Q4 x; g* u) RMonument To Sade by Man Ray, 1933
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' A' X$ Y/ l' E5 v) h" BEaster’s coming…
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Dirigible Over St. Basil’s Cathedral, Red Square, Moscow (1921)1 @, v5 Q- c& \- r; p4 E" W
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Man Ray
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7 a3 T) ]! _2 p) [Sunday morning, 1945, photographed by Robert Doisneau8 B+ r8 G- }: [& R0 n
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Little Deuce Coupe
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; A( t$ v- C1 W2 y( \: jWhitman Twiggy Paper Doll Set 1967 (by hmdavid )' ?8 m7 C+ C4 X$ r
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$ h5 W' y+ r3 ~1 l# N( GAlberto Vargas (by oldcarguy41 ) April 1944
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Portrait Willis Bock  by  Otto Umbehr  (Umbo), 1928
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, b4 W8 J" S  m: X“enzo sellerio’s work is critical and challenging, often referring to sicily’s dark history, but just as often it tells a passionate, involving intelligent and even amusing tale of everyday life there, with all its verve and vitality. he captures grace and irony with a magical depth, and this image of a street scene in palermo is the result of a deeply felt empathy with his surroundings, a perpetual sense of wonder, and a sharp eye for graphic composition. the image’s structure resides in a rigid geometric scheme established by the sides of the chairs perched on the children’s heads, which are perfectly centred within the frame yet at the same time create a sense of dynamism, with their broken line suggesting a climb or descent. the compositional balance is further offset by the position of the children’s legs, along with the silhouette of a man to the side of the frame. perhaps this dark, hunched figure, wrapped up in a coat that’s too long for him, embodies the true mystery of the photograph.” children carrying chairs, palermo, 1960 photo by enzo sellerio, from photobox: bringing the great photographers into focus
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Holly reading by John Willie , c. 1930s
( E+ x4 r0 t# QAlso at foxesinbreeches
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& \; |% E' O/ Y) ]7 }Andrew Loomis (From “Remember Me,” Ladies Home Journal , September 1944)
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Jimi Hendrix.9 m: L% ]- N* b
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John Whitcomb (From “A Woman to Remember,” Ladies Home Journal , November 1947)
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( B& _: a, i8 Z# t) ?; fZora Neale Hurston, 1935
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Frank Sinatra and Mia Farrow at Truman Capote’s Black and White Ball, New York, 1966
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0 v# \- Q. ~; J6 X! ?. FJohn Lennon
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* B' `& B# [8 i, ZBeauty treatment, 1950s0 d$ c7 i: v7 c0 W# j9 M
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Dorian Dennis    aka. “Miss French Riviera” .. Photo courtesy of the Janelle Smith collection..
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The Atomium in Brussels nearing completion. It was built for Expo ‘58, designed by André Waterkeyn based on the form of an iron crystal. The car in the foreground is a Tatra 603 from the same year.  J9 H- D  t' w  }: z! M4 n8 H
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Showgirls, 19588 |5 k5 j7 Y0 ]
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“April 1st is absolutely the worst day on the Internet. I’m going outside. ”
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inge morath,  a llama in time square, new york city, 1957 happy april fools!4 }1 t& k6 I8 T$ y6 a0 V
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Texas road map from Humble Oil, 1957) S2 W8 }% C' z; [
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Jeanne Moreau as Le Sphinx in a 1954 adaptation of La Machine infernale by Jean Cocteau
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Esquire pin-up, “Calamity”, 1947 Illustration by Ben-Hur Baz
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  u* h0 L: @; i  B' bAnita Ekberg
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" ~4 M6 J" r' q% AJessica Rabbit.. y( B  V7 j2 f9 r6 g6 \/ l5 g
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Irina Baronova
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6 x3 ?: C$ ?. }& w+ [0 QElliott Erwitt New York City, Third Avenue El, 1955
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5 G3 L, y( q, G" Tc a. 1870, [Tintype portrait of a gentleman pensively playing the accordion] via Christopher Wahren Fine Photographs/ b4 F4 H) |/ J6 G0 h
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(via Vintage Scans: Lili St. Cyr ) From  Modern Man , August 1956.: ?0 P8 i) w: w3 G
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4 R) J4 H$ q. W! o0 uFriederike Kierschner4 @9 ?& }3 E' u5 s: g6 w
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* n, n- l; v1 J# L$ mEdouard Boubat, Collioure, 1954
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Happy April Fools Day! ~ French postcard, Circa 1907.  via
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/ V/ Q$ c7 z& O# cI feel like this should be some sort of April Fools joke — but no, this really was a rehearsal for an underwater wedding in San Marcos, Texas. (see more photos here )7 g  d* r) s: G; J
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5 L. U) Q  N, D1 K5 XRené Jacques L’homme de nuit, 1939
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David Bowie.
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Marilyn Monroe and Betty Grable in How to Marry a Millionaire (1953)% a3 A+ e9 F% u( O, B. R
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Boris Karloff in Bride of Frankenstein .# i* V# ^) w, u- p1 S" t
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* K# ?9 ^, Y. o, yDorothy Stone (date of photo not known)1 \+ G% E7 Z7 M; ]* ]
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Lucie Clayton instructs finishing school pupils, Old Cavendish St, London, 1936" ?( U/ p0 i& n0 J& M3 J- b
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* N' T, N: t2 Q+ MGroup of ladies at the Midwest Horse Show, c.1938, Chicago. This event was the pinnacle of the African American social scene in Chicago.
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Marilyn Monroe in 1946….: Q1 o$ o- f8 `- s
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Pier.  1940’s
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Brockton Enterprise newspaper building, Brockton, MA circa 1940’s
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0 Z  P8 N0 E4 Z. t# F! YWherever The Voyage Leads You (by wackystuff ) French April Fools postcard9 t$ i3 ^5 ^4 v9 `; H, `
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Two Ziegfeld Girls c.1926
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# G( Y  T; r8 v0 X" b, W! I(via Photos: Spring – Johanna’s blog ) Source:  1940’s throwback4 I4 H4 X7 D2 f" e& u* a5 v2 \
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' u% K2 J/ D& P2 O5 G/ m. U* jBallet Mécanique,  Fernand Léger and Dudley Murphy (1924)/ x  Q1 f. |$ F" U- w! @
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Ballerinas, 1936 by Alfred Eisenstaedt) q3 a: `' n9 G' S
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Elizabeth Taylor on the set of Giant photographed by Frank Worth, 1955
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& |2 [; S7 g5 B. N, ~6 J& JBrigitte Bardot
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